Marianne Okafor paints color the way others keep a diary — each work records the light of a particular hour in Lagos. Her originals are oil on linen; the prints preserve every soft edge.
Tomas Amado works in sumi ink, one continuous stroke, one sitting, no second takes. What ships is always the first attempt — he discards nothing and repeats nothing.
Radka Vesely photographs infrastructure the way others photograph cathedrals: brutalist seafronts, motorway ramps, harbours at dawn. Medium format, long exposures, no people.
Kai Duran builds compositions from three weights — mass, orbit, ground — then hand-rules every line so it wavers slightly. The imperfection is the signature.
Johanna Lindqvist is midway through a twelve-piece study on weight and balance. Each work holds a single circle in tension above a grounded band of red.